For more information, music, and videos, please visit my profiles on SoundCloud and YouTube or search under WORKS.
Echo Chambers (2022), for amplified ensemble of tenor saxophone, baritone saxophone, keyboards, loop station, and reverb, continues my fascination with the complex textures that arise from the gradual layering of repetitious figures. Performed by the Fx Kollektiv.
The time limits of dust (2021), for amplified cello, objects, loop station, and playback, reflects on the monotony and hidden beauty of daily rituals. Performed by Céline Papion.
In Listen More (2019) eight professional composers/musicians and six blind/visually impaired people discuss whether their sense of hearing is different than the general public and how they experience life through sound.
New York City premier in May 2017 of Together in Perfect Harmony (2014), performed by Hocket. Click on the following for reviews by Feast of Music and I Care If You Listen.
Assembly Line (2014) was selected for the Fall 2017 Call for Scores by Score Follower. Performed here by Geoffrey Deibel and Jonathan Nichol.
Written in October 2016, this piece for tárogató and playback is a reflection on the increasing political tensions in the United States. Written for and performed here by Nikola Lutz.
Jacques de Liège (1260 - ca. 1330) rants about contemporary music in this video piece. Translation by Barbara Newman, 2008.
Healthcare professionals discuss the emotional sides of their work.
Oases, for mezzo soprano, sextet, and video, is a surreal treatment of advertisements. Written for Truike van der Poel and the Thürmchen Ensemble with Erik Oña conducting. Video by myself and Paul Kramer.
Video score to Newport Beach in the 70s for two violins, cello, and harpsichord, performed here by Ensemble Cordial.